The pre-Mojo warm-up started at home in in
the garden with a big bowl of Monique’s cocktail recipe (rum, orange &
lemon juice, sugar, grated ginger, cinnamon stick, vanilla bean). Beef
brochettes sizzled on the grill while a spicy tomato sauce waited on the table.
Joël, our incipient guitar genius, arrived.
I don’t know who arranged this. But I had already suspected that Corine – the
big sister, the “smart” one – was interested in him. I learned that Joël was
ostensibly enrolled in business studies at the university. When I stated the
obvious, that he should quit school and concentrate on music, he was genuinely
surprised. “You’re the first one who’s ever said that.”
* * *
We took our time eating. You don’t want to
arrive at Mojo much before midnight.
Heading downtown, our party consisted of
Monique and me, Corine, Sarah, Joël and Gerald (Monique’s youngest son, in case
you forgot). Needless to say, the girls and Monique were dressed to kill. Cars
lined both sides of the narrow street in front of Mojo. But a few words from
Monique and the bouncers found us a parking spot. “Doo Doo Doo” was pouring out
of the open second-floor windows.
We filed along a claustrophobic, blood-red
corridor and up a narrow concrete staircase. At the top it was all flashing
lights and industrial chic. We pushed our way into the crowd, half Malagasy,
half foreign (i.e. French). I went into my default mode, smiling and shaking
hands with people I didn’t know, nodding meaningfully when they said things I
couldn’t hear through all the din. Monique introduced me to a guy sitting at
the bar, explaining, “It’s Baba.” I certainly knew his music. His album,
produced by Monique’s brothers, is fantastic. Unfortunately, his follow-up live
shows, promotion and organization didn’t match the level of the recording, and
his career has since stalled.
We found seating near an open window as
drinks arrived. The youngsters immediately hit the dance floor, propelled by a
Congolese beat. Along with gazing at the dancers – the gauche French and the
more adroit natives – I focused on the music. An African flavor slightly
dominated. But there was also Indian bangra, Jamaican dub and salsa. Walk this
Way, (the heavy 70s guitar made Joël ecstatic), early Michael Jackson, classic
Outkast. In a place like Madagascar, you hear how porous geographical and
temporal boundaries are. I wished our other boys, Thierry, Emeric, Milo and
Oliver, could be there.
As I feared, it quickly became clear that
Joël was fascinated by Sarah. It was easy to see why. With her tall, slim model
appearance she drew the most attention. Yet I found Corine a more interesting
dancer. Once she gets away from her sister (graduate studies in France next
year) she’ll have no trouble attracting all the men she wants. Monique and I
were pleased to see, however, that Joël and Gerald danced with both girls in
gentlemanly fashion. Watching Joël’s bizarre moves Monique queried, “Why are
musicians always such bad dancers?” Maybe a reader can answer this.
* * *
On their Mojo outings Monique enforces a
strict “look but don’t touch” rule. On another occasion she had a guy thrown
out when he got a little too hands-on. To give him the benefit of the doubt,
there are prostitutes among the Mojo clientele. But he had already been warned.
Since then the owner has always kept a close eye on the nieces. That, and the
presence of Gerald, meant we could leave the place for a while to get some air
and see something different.
We cruised through the streets while
Monique decided where to go. We ended up at the Carlton, the main hotel. The
bar attracted a different clientele, more bourgeois, all Malagasy. I was
introduced to yet another famous musician. “A has-been,” Monique whispered. We
didn’t linger.
Not long after returning to Mojo Monique
decided it was time to go. On the way home we passed through streets along
which prostitutes in ones and twos, evenly spaced at twenty-meter intervals,
stood idly. “Poor girls,” said Sarah.
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